Stephanie Rushton on Necrobiosis

The artist Stephanie Rushton made this beautiful art-video partly inspired by NECROBIOSIS the Mycelium contribution to the CONTEMPORANEA – A Glossary for the Twenty-First Century, edited by Michael Marder and Giovanbattista Tusa.

Wonderful to see the spores and hyphaes spreading in furtile soil.

The sacred is nothing but an egg that hatches.
The sacred is nothing but this descent and dissolution.
The sacred is nothing but this fire
The sacred is nothing but that, that life is death and death is birth.
(From Necrobiosis (not the centemporanea version))

Remember, if you are in agreement (as in attunement) with the mycelium, claim it selflessly for your own and pass it along.

CONTEMPORANEA – A Glossary for the Twenty-First Century

Mycelium has sprouted yet again. We have contributed to:

CONTEMPORANEA – A Glossary for the Twenty-First Century

NECROBIOSIS

Excerpt:

“Surrounded by the memorials, in denial of their own death, the complete separation of life and death is attained. More must grow. More monetary monoliths. More fuel. More more. Growth is inherent in its logic, even if this means deforesting. The oil burned was once summer days. In these dead structures wherein death is denied, life is bottled, turned into a commodity, shots of instant eternity. The cocoon seems hard. Maybe too hard.

It stands alone. The abyss seems endless. Sea, soil, and sun still run in its veins. God dies, but the sun shines on.”

The book is out on The MIT Press and is edited by Michael Marder and Giovanbattista Tusa.

Full list of contributors:

Mieke Bal, Claudia Baracchi, Amanda Boetzkes, Erik Bordeleau, Anita Chari, Emanuele Coccia, Valentina Desideri, Roberto Esposito, Filipe Ferreira, Denise Ferreira da Silva, Claire Fontaine, Graham Harman, Yogi Hale Hendlin, Ranjit Hoskote, Cymene Howe, Daniel Innerarity, Joela Jacobs, Ken Kawashima, Sabu Kohso, Bogna Konior, Brandon LaBelle, Anna Longo, Artemy Magun, Michael Marder, Michael Marder, Jason Bahbak Mohaghegh, Timothy Morton, Mycelium, Jean-Luc Nancy, Bahar Noorizadeh, Kelly Oliver, Uriel Orlow, Richard Polt, Marcia Sá Cavalcante Schuback, Tomás Saraceno, Vandana Shiva, Anton Tarasyuk, Anais Tondeur, Giovanbattista Tusa, Sjoerd van Tuinen, Santiago Zabala, Zahi Zalloua, Slavoj Žižek

Video: Requiem For An Age

CPH Stage. 27.05.21-05.06.21

Instruktion, kamera og klip: ANJA BEHRENS
Musik, lyddesign og klip: CRISTIAN VOGEL
Second unit kamera: CARL JOHAN SENNELS og MALIK GROSOS
Tekst: MYCELIUM
Konsulent: HANS CHRISTIAN POST

Medvirkende: CAMILLA MUNCK, KAJSA BOHLIN, MILLE MARIE DALSGAARD, FREYA EMILIA BEHRENS

Filmen er en selvstændig videreudvikling af filmmateriale skabt i samarbejde med Sydhavn Teater til værket Requiem for en tidsalder, som blev opført i Sydhavn Teaters kapel i 2020.

Requiem for an age + Necrobiosis

Mycelium contributed to REQUIEM FOR EN TIDSALDER with the text NECROBIOSIS by Mille Maria Dalsgaard & Anja Behrens
 
Read the full text here:
Necrobios
 

Acherontia atropos, the hawkmoth, also known as the death’s-head, lives among nightshades.
On its back it carries a skull.
It was baptized in the river of pain.
It thrives among carcasses and where epidemics rage.
On a leaf of nightshade, an egg hatches.

The sacred is nothing but an egg that hatches.

On the empire state building, an egg hatches
On the dow jones index, an egg hatches
On Creek Tower, an egg hatches

A glowing yellow body born, like a star in the night sky, like a flash of light that briefly displaces the shadow.
Life seeks nourishment and fills its fat deposits. Sun converted to tissue, blood and fat.

Exchanged into capital, infrastructure and highways.
A luminous globe seen from space.
A dull starless sky seen from the city’s illuminated night.

In the process, it digs its own grave. Rich with accumulated sunlight, it seeks an underground chamber where it can pupate.
In its self-chosen grave, its dark exile, it undergoes histolysis, i.e. that the dissolution of its tissue. Also called phylogenetic necrobiosis.
“The larva undergoes the same process of death in the pupa as the body in the grave that turns it into ammonia fat.”

The sacred undergoes the same process when it enters matter,
which first flourishes, in order to slowly dissolve.
The sacred is nothing but this descent and dissolution.

Necrobios: Life and Death. Death and Life.

Nature draws its veil over its offspring.
The mirage of the sun in the sky.
And everything is fire.
The sacred is nothing but this fire

The shimmering air
makes every building dance.

“The larva is dead in the cocoon
it has lost all form
consists only of masses of fat!
But how can he live?
How?
He’s dead, but he’s alive!
Maybe there is no death? ”

“Why should the luminous dots on the firmament be less accessible to us than the black dots on the map of France? As we take the train to get to Tarascon or Rouen, so we travel with death to a star. It had been thought that the earth was flat, but that does not prevent science from proving that it is round, which no one today would doubt. But still it is believed today that life is flat and extends from birth to death. But probably life too is round and stretches out with a scope much larger and richer than the half measure we know today. ”

What process does it undergo in the cocoon? The breaking down of tissues! The larva is completely dead. But a new life is nourished by this death. The death of the larva is a new beginning, a new conception.

Virus attacks the lung tissue.
Respiratory impairment.
The world is put on a ventilator.
The memory slips.
The air gasps for world.
Have we finally entered the our pupal stage?
A new geological grave?
Antroposema

Maybe that’s why the winged moth rises from its underground tomb marked by death.

What life is there when we have dissolved the tissues of this world?
Who weaves the silky wings of the decomposed masses of fat?

Naturally, the winged life is an extension of the dead larva, but they must be understood as two different individuals, as no individual can reasonably be said to preserve itself during the transformation.

Born by its own death.

How do we break down the tissues of capitalism?
The oil industry’s burning of accumulated summers?
The artificial ventilation of the economy?
Hyperventilation!
Hyperventilation!
Whitewash
The cell wall is so hard and keeps its sacred judgments hidden.

Histolysis, phylogenetic necrobiosis.
Break down the tissue. Dissolve, make new patterns.
Make constellations across the dark.
Give birth to new zodiac signs
With no meaning other than the one they reveal:
Celestial bodies in a celestial dance.
Connected and reborn in the swarm.

We weave ourselves into each other’s arms, out into umbilical cords.

Woven together

Into my arms, my love

Dissolved

In tears
In dance
In laughter
In love

”Through loss we can regain the free movement of the universe, we can dance and swirl in the full rapture of those great swarms of stars. But we must, in the violent expenditure of self, perceive that we breathe in the power of death.”

On our backs we carry the mark of death.

How much does death weigh?
And who measures?

We must weave death into our motif.
Only life gives it gravity
And life must be born.

But what does the winged one know about our mythologizations?
Necrobiosis: That something must die in order to live.
That something is living death.

The sacred is nothing but that, that life is death and death is birth.

 

 

Cosmic   death   masks    are   the   flicker   of   life
Cosmic death masses are the flourishing of diversity

Photos: Carl Johan Sennels & Malik Grosos